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A Critical Forum on Media and Culture

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Category: 29.01

What the Indie Sleaze Revival Can Learn From Indie Camp
Morgan Bimm / St. Francis Xavier University

October 10, 2022 Morgan Bimm / St. Francis Xavier University 5 comments

Morgan Bimm writes on the indie sleaze revival movement and the contemporary camp effect.

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What the Facebook Papers Taught Us About Affect and Design
Alexander Cho / University of California, Santa Barbara

October 10, 2022 Alexander Cho / University of California, Santa Barbara One comment

On the one-year anniversary of the Facebook Papers, Alexander Cho makes a case for why critical and cultural studies scholars ought to be considering the design and affect of social media.

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Is Everyone Where They Should Be? Safety, Surveillance, and Diverse Students
Elizabeth Ellcessor / University of Virginia

October 10, 2022 Elizabeth Ellcessor / University of Virginia Leave a comment

This article addresses campus mediations of safety and emergency services in the era of the mobile application. Through fieldwork and drawing on contemporary data, this article looks at how surveillance and privacy are mediated through “surveillance safety” and other such narratives.

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The Weight of Personal Agency in Netflix’s Maid
Jess King / DePaul University

October 10, 2022 Jess King / DePaul University Leave a comment

Jess King reflects on the intersectional barriers to agency depicted in Netflix’s Maid (2021), a series about a young lower-class mother struggling to create stability for herself and her daughter.

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Imma with her im/material boxes
Zizi Li / University of California, Los Angeles

October 10, 2022 Zizi Li / University of California, Los Angeles Leave a comment

Zizi Li explores what influencer Imma’s virtual images convey about digital and physical realities.

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Media Made Easy: Platforms and the Rise of Media-as-a-Service
Emily West / University of Massachusetts Amherst

October 10, 2022 Emily West / University of Massachusetts Amherst One comment

Emily West details the shift towards the consumption of media-as-a-service and its implications for audience subjectivity in the streaming era.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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FlowTVFLOW@FlowTV·
12 Dec

Happy Monday, and happy Volume 29.03 release day! The final issue of Flow for the calendar year features work from @Naledgesince82, @MiaFischer, @grhalegoua, @caitmckinney and Michele White! Read the full issue here: http://www.flowjournal.org

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FlowTVFLOW@FlowTV·
5 Dec

CALL FOR PAPERS: Special Guest Issue on Cultivating Authenticity & BeReal! Submissions due January 13, 2023! Shareable link here: https://tinyurl.com/yy9rvxn4

thx to @TomDivon and @disabledphd for guest editing this exciting issue!

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FlowTVFLOW@FlowTV·
15 Nov

The 2nd issue of Flow Vol 29 is now live!! Head over to https://www.flowjournal.org/ for some amazing articles by @jenholt13 @AndyOwens85 @rebeccasholt @TrueIcaRash and @kevindriscoll

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