“Quebre as Regras, Não a Lei”: A Normalização da Brutalidade e o Reforço da Autoridade Policial nas Séries Estadunidenses

Autores

  • Melina Meimaridis Programa de Pós Graduação em Comunicação, Instituto de Artes e Comunicação Social, Universidade Federal Fluminense, Niterói, Brasil https://orcid.org/0000-0003-3481-817X
  • Rodrigo Quinan Programa de Pós Graduação em Comunicação, Instituto de Artes e Comunicação Social, Universidade Federal Fluminense, Niterói, Brasil https://orcid.org/0000-0002-5344-0574

DOI:

https://doi.org/10.17231/comsoc.42(2022).4002

Palavras-chave:

televisão, instituições ficcionais, séries policiais, brutalidade policial

Resumo

Desde a década de 1950, as séries institucionais policiais estão entre as produções mais populares da televisão estadunidense. Por meio da reiteração da mentalidade do “nós versus eles”, policiais são ficcionalizados como agentes normativos que defendem o “bem”, enquanto o crime é retratado como uma falha moral e individual do criminoso. Além dessas produções recorrentemente ignorarem problemas sistêmicos da sociedade estadunidense que são utilizados para explicar a criminalidade no mundo real, elas também reforçam a autoridade da instituição como detentora da força para manutenção do status quo. Partindo da perspectiva que essas séries atuam na construção e mediação de sentido sobre o papel desempenhado pelas instituições policiais do mundo real e de seus membros na sociedade, estruturamos o texto em torno de dois principais argumentos: (a) as séries reforçam a autoridade da instituição policial, tratando suas ações como inquestionáveis e, mais importante, abrindo espaço para intervenções das instituições policiais do mundo real nos processos de ficcionalização das mesmas; (b) as séries normalizam a brutalidade policial, com narrativas frequentemente justificando atos violentos como uma ferramenta investigativa eficiente, ilustrando normas e burocracias como grandes empecilhos ao trabalho do policial. Ao enquadrar as violações éticas e de direitos humanos como atos eficientes e necessários essas séries contribuem para normalizar alguns dos aspectos mais sujos da profissão.

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Biografias Autor

Melina Meimaridis, Programa de Pós Graduação em Comunicação, Instituto de Artes e Comunicação Social, Universidade Federal Fluminense, Niterói, Brasil

Melina Meimaridis é mestre e doutora pelo Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense (UFF) no Brasil, onde também realiza o seu pós-doutoramento com bolsa da Fundação de Amparo à Pesquisa do Estado do Rio de Janeiro. Atualmente investiga como a ficção televisiva seriada constrói entendimentos sobre instituições sociais e como essas construções circulam nos fluxos transnacionais de televisão. Outros interesses são indústrias da mídia, comfort series (séries de conforto) e serviços de streaming de vídeo em mercados nacionais e regionais. No presente, é uma das coordenadoras do grupo de pesquisa TeleVisões: Núcleo de pesquisa em televisão e novas mídias (UFF) e pesquisadora associada ao Nemacs: Núcleo de Estudos em Comunicação de Massa e Consumo (UFF).

Rodrigo Quinan, Programa de Pós Graduação em Comunicação, Instituto de Artes e Comunicação Social, Universidade Federal Fluminense, Niterói, Brasil

Rodrigo Quinan é mestre e doutorando pelo Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense (UFF) no Brasil. Sua pesquisa é dedicada a analisar a ascensão das teorias da conspiração, a crise epistemológica e a representação do real na ficção seriada televisiva. Integra o Laboratório de Mídia e Democracia (UFF), a Rede Conecta (UFF) e o Laboratório de Investigação, Ciência, Inovação, Tecnologia e Educação (UFF).

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2022-12-16

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Meimaridis, M., & Quinan, R. (2022). “Quebre as Regras, Não a Lei”: A Normalização da Brutalidade e o Reforço da Autoridade Policial nas Séries Estadunidenses. Comunicação E Sociedade, 42, 113–132. https://doi.org/10.17231/comsoc.42(2022).4002

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